The Fame Monster Released on November 18, 2009, is the third extended play  and second major release by American recording artist Lady Gaga. The album's eight songs were initially intended to be part of a re-release of Gaga's debut album The Fame. However, Gaga announced that the new songs would be available as a standalone album, as she thought the re-release was too expensive and that, as the piece represents a separate conceptual and musical body of work, it does not need the songs of The Fame to support it. A Super Deluxe Fame Monster pack containing the two releases as well as additional merchandise, including a lock of her wig, was released on December 15, 2009.A woman in a blonde blunt bob cut. She wears a shiny black leather dress covering her body completely. With her right hand she holds the collar of the dress and uses it to cover her mouth. In front of her, the words "Lady Gaga" and "The Fame Monster" are written in white capital font, with the T of Monster being stylized as a cross (†).Get access to the largest downloading network on the planet. With over 240 million users on the network at any time, you're sure to find anything you want.
$700 Value Bonus Software Absolutely FREE!Download the full album now>>>>>>The Independent felt that the first song from the album, "Bad Romance", set the tone for the album, whose dominant atmosphere and aesthetic, from the monochrome cover shot and the crucifix logo onwards, is gothic. The refrain of "Bad Romance" has similarities to Boney M and the music recalls Depeche Mode's fifth studio album Black Celebration (1986). The lyrics contain zombie metaphors in songs like "Monster" ("He ate my heart..."), the Cossack like music in "Teeth" ("Take a bite of my bad-girl meat...") and "Dance in the Dark" ("Silicone, saline, poison, inject me..."). The latter's lyrics also refer to famous people who met a tragic end: Marilyn Monroe, Judy Garland, Sylvia Plath, Princess Diana, Liberace and JonBenét Ramsey. "Monster" consists of stuttering synths and instrumentation from heavy drums. Among other songs is the ballad "Speechless" which is a 1970s rock-inspired number that touches upon abusive relationships in lyrics upon "I can't believe how you slurred at me with your hand.