Win Writing Awards And Profit In Your Spare Time
How should you enter a large volume of stories to win writing awards? The more contests you enter, the greater your odds of winning. However every award scheme appears to contain specific procedures.
For instance, a competition may possibly impose an individual plot. For example, 'imagine that somebody opens up a letter or diary they aren't designed to read. What occurs after that?' Various other award schemes may well set a contestant the starting words of the tale for example: 'My life might have been very different, if simply I had...'
Do you need to compose a new story each and every time to adhere to such rules?
No! Virtually any properly constructed story includes a strong plot feature or 'nugget' that is independent of the characters, descriptions, time frame, place or even genre.
Thus it is possible to rewrite that core to suit nearly every competition. And then submit the same essential story time and again!
Recall the tale of Jason and the Argonauts? The theme has been noted in numerous civilizations across the world ever since documents developed. The exact same narrative has appeared in plays, ballets, poetry and, needless to say, pantomimes.
Nonetheless for sure (I hear you protest) my tale is basically sad. How can I change it into a happy or comic one? Or the other way round? Effortlessly. All downbeat accounts include a victim. Incorporate comic punchlines and then the sad tale becomes a comedy. Get rid of the funny ending and your joke becomes a sad story.
It's true! In the late 17th century, a producer produced Shakespeare's Romeo and Juliet as 'tragi-comedy' then 'comedy' on alternate days. With the witty variation, he eliminated only a few sequences then added upbeat endings to the pre-existing scenes.
Accordingly... just re-compose your story to the demands of each award scheme!
You will need do very little more than create a fresh first paragraph, plus come up with some cosmetic variations to character characteristics, conversations, setting and main incidents. So, if you are a knowledgeable writer, you may find it feasible to generate a large number of 'new' stories in one working day from just one initial, strongly written story.
Submit half a dozen tales a day, each to a different award scheme and - if you're proficient in your job - at the very least one entry per day should win you a prize, at the very least. It might be a four-figure major prize!
Whether or not you move on to change your successful tale and re-send it to further award schemes depends on the regulations of those competitions. Nevertheless do be careful which award schemes you select when re-entering a freshly tailored story. Or else, before very long, each and every competition judge in the world will have a good laugh when your entry arrives and murmur: 'here comes that guy yet again.
Needless to say, don't be cute
Competition promoters usually allow a number of entries from the same entrant. Even so, it would certainly not be a great notion to attempt multiple entries to the very same competition under numerous phony names, making use of the addresses of your accommodating colleagues, with some foolish plan of improving your chances.
Just think. What if you won all the awards and had to arrive personally to get them! You wouldn't know where to hide.
If you want to practice skullduggery, go directly into PR. That's 100 % legal.
Yet if you merely adapt your contest story to the regulations of every competition, using one core story, it's not cheating. It's a win-win story system!
For instance, a competition may possibly impose an individual plot. For example, 'imagine that somebody opens up a letter or diary they aren't designed to read. What occurs after that?' Various other award schemes may well set a contestant the starting words of the tale for example: 'My life might have been very different, if simply I had...'
Do you need to compose a new story each and every time to adhere to such rules?
No! Virtually any properly constructed story includes a strong plot feature or 'nugget' that is independent of the characters, descriptions, time frame, place or even genre.
Thus it is possible to rewrite that core to suit nearly every competition. And then submit the same essential story time and again!
Recall the tale of Jason and the Argonauts? The theme has been noted in numerous civilizations across the world ever since documents developed. The exact same narrative has appeared in plays, ballets, poetry and, needless to say, pantomimes.
Nonetheless for sure (I hear you protest) my tale is basically sad. How can I change it into a happy or comic one? Or the other way round? Effortlessly. All downbeat accounts include a victim. Incorporate comic punchlines and then the sad tale becomes a comedy. Get rid of the funny ending and your joke becomes a sad story.
It's true! In the late 17th century, a producer produced Shakespeare's Romeo and Juliet as 'tragi-comedy' then 'comedy' on alternate days. With the witty variation, he eliminated only a few sequences then added upbeat endings to the pre-existing scenes.
Accordingly... just re-compose your story to the demands of each award scheme!
You will need do very little more than create a fresh first paragraph, plus come up with some cosmetic variations to character characteristics, conversations, setting and main incidents. So, if you are a knowledgeable writer, you may find it feasible to generate a large number of 'new' stories in one working day from just one initial, strongly written story.
Submit half a dozen tales a day, each to a different award scheme and - if you're proficient in your job - at the very least one entry per day should win you a prize, at the very least. It might be a four-figure major prize!
Whether or not you move on to change your successful tale and re-send it to further award schemes depends on the regulations of those competitions. Nevertheless do be careful which award schemes you select when re-entering a freshly tailored story. Or else, before very long, each and every competition judge in the world will have a good laugh when your entry arrives and murmur: 'here comes that guy yet again.
Needless to say, don't be cute
Competition promoters usually allow a number of entries from the same entrant. Even so, it would certainly not be a great notion to attempt multiple entries to the very same competition under numerous phony names, making use of the addresses of your accommodating colleagues, with some foolish plan of improving your chances.
Just think. What if you won all the awards and had to arrive personally to get them! You wouldn't know where to hide.
If you want to practice skullduggery, go directly into PR. That's 100 % legal.
Yet if you merely adapt your contest story to the regulations of every competition, using one core story, it's not cheating. It's a win-win story system!
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